Born in Paris, France 1972, lives and works in Amsterdam
Education
1991-1997
- Ecole Nationale Supérieure des Beaux-Arts, Paris, France
1996
- Emily Carr Institute of Art and Design, Vancouver, Canada
Residencies
2010
- Künstlerhaus Bethanien, Berlin, Germany
2006
- Berlin, Germany
- Spinnerei Leipzig, Germany
2004
- New York, USA
2003
- Kunst en Complex Rotterdam
- CEAC Chinese European Art Center Xiamen, China
2002
- Bergen, Norway
1999
- Cité Internationale des Arts, Paris, France
Solo exhibitions
2009
- Raptures of the deep, Roberts & Tilton Gallery, Los Angeles, USA
2008
- La chasse au cygne! La chasse aux signes!, ASPN, Leipzig, Germany
2007
- Delphine Courtillot, Tilton Gallery, New York, USA
- Ohrwurm, Annet Gelink Gallery, Amsterdam, Netherlands
2005
- October Lands, Roberts & Tilton Gallery, Los Angeles, USA
- Down in the Valley Below, Annet Gelink Gallery, The Bakery, Amsterdam, Netherlands
2003
- Green Boots, Red Cheeks, Helderse Kunstliga, Den Helder, Netherlands
2001
- C’est Toujours Les Vacances, Residence Jean-Francois Lam, Paris, France
2000
- Alliance Francaise, Sabadell, Spain
- Delphine Courtillot, Galerie L’Oeil Vagabond, Meung-sur Loire, France
1999
- Gouache Again, Cité Internationale des Arts, Paris, France
1997
- Les Cieux, Residence Marie-Claude Vidal, Paris, France
Group exhibitions (selected)
2009
- Ophelia, sehnsucht, melancholia and desire for death, Museum voor Moderne Kunst, Arnhem, the Netherlands
2008
- Against Nature, Luis Adelantado Gallery, Valencia, Spain
- Strip, WG/3 Zi/K/Bar- Malkasten, Düsseldorf, Germany
- Macrocosm, Roberts & Tilton Gallery, Los Angeles, USA
2006
- Strip, Kunsthaus Baselland Muttenz, Switzerland
- Strip, Galerie Anita Beckers, Frankfurt am Main, Germany
- Do not stack, Roberts & Tilton Gallery, Los Angeles, USA
2005
- ASPN, Leipzig, Germany
- Strip, Kunstverein Hannover, Germany
- Strip, Projektraum Deutscher Künstlerbund, Berlin, Germany
2004
- Day Dreaming, Slight Alienation, Cruel Kindness and Detached Sentimentality, Joymore, Brooklyn, USA
2003
- Here! We Go, Babylon Club, Space For Artists, Amsterdam,
Netherlands
- Underground, TENT, Rotterdam, Netherlands
- Flash & Fresh, Centrum Beeldende Kunst, Rotterdam, Netherlands
- Muzak, Clozak, Cucosa, Rotterdam, Netherlands
2002
- Playstation, Galerie Fons Welters, Amsterdam, Netherlands
- A Haunted House of Art, Stichting Outline, Amsterdam, Netherlands
- Room, Rotterdam, Netherlands
2001
- Wishful thinking, Dresden, Germany
1999
- Villa Vincelli, Fécamp, France
- Salon de la Jeune Peinture, Paris, France
- 5ème Salon International d’Arts Plastiques, Valognes, France
- L’invitation à la Chine, Biennale d’Issy-les-Moulineaux, France
- Cité Internationale des Arts, Paris, France
1998
- Galerie Progress, Belgrado, Serbia
- Novembre à Vitry, Vitry sur Seine, France
Awards and Grants
2010
- Fonds FKVB grant for the Künstlerhaus Bethanien Residency in Berlin
2009
- Fonds BKVB basissubsidie
1998
- Colin-Lefrancq Prize for Figurative Painting
1996
- Colin-Lefrancq Study Grant
Collections
- Chadha Art Collection Amsterdam, Netherlands
- Henry Art Gallery, University of Washington, Seattle, WA, USA
- Private Collections in the USA, France, Germany and the Netherlands
Publications
- Ophelia, Sehnsucht, Melancholia and Desire for Death, Exhibition Catalogue, Museum voor Moderne Kunst, Arnhem, De Buitenkant Publisher, Amsterdam 2009
- A Public Space # 8, Brooklyn, New York, 2009
- Lacanian Ink # 33, New York, 2009
- Old News # 4, Jacob Fabricius, collaboration with Folkert de Jong, 2008
- Roberta Smith, New York Times, April 20, 2007
- Bart van der Heide, Monography Delphine Courtillot, Black Cat Publishing, Amsterdam, 2007
- Leah Ollman, Los Angeles Times, November 4, 2005
- Rob Perrée, Kunstbeeld, nr.11, 2003
- Didier Semin, Alliance Française, Exhibition Catalogue, 2000
- I. de Montfumat, C. Echkenazi, A.Gorouben, F.Niay, L'invitation à la Chine, Exhibition Catalogue, 2000
- Vladimir Velickovic, Verso, nr.14, 1999
- Philippe Dagen, Le Monde, March 13 1998
- Véronique Bouruet-Aubertot, Beaux-Arts Magazine, nr.167
- Jean-Louis Pinte, Le Figaro, March 11 1998